As someone who grew up listening to Clipse, I find their recent resurgence fascinating. Their music, with No Malice (formerly Malice) and Pusha T, was the soundtrack of my high school years, a time when we would beat on lunch tables and create our own mixes to their Neptune-laced beats. Representing Virginia, they proudly claimed their roots, and their music resonated deeply with us, inspiring freestyles and creativity in music AND FASHION.
What stands out to me about their new run is observing the dynamic between No Malice and Pusha T, especially as No Malice has returned to his more spiritual roots. Meanwhile, Pusha T has established a dominant presence in the mainstream music industry, working with figures like Kanye West, Future, Big Sean, and the GOOD Music collective. Pusha T has become a formidable force, with his music reverberating through the industry and taking on top artists like Drake and, more recently, Travis Scott.
As someone who grew up listening to Clipse, I find their recent resurgence fascinating. Their music, with No Malice (formerly Malice) and Pusha T, was the soundtrack of my high school years, a time when we would beat on lunch tables and create our own mixes to their Neptune-laced beats. Representing Virginia, they proudly claimed their roots, and their music resonated deeply with us, inspiring freestyles and creativity in music AND FASHION.
In recent interviews, the contrast between the brothers becomes even more apparent. The Joe Budden Podcast Patreon episode stands out as the best interview I’ve seen, as Joe avoided the predictable questions and instead delved deeper, eliciting more revealing answers. While Elliott Wilson also conducted a solid interview, it was clear that some responses were pre-prepared. Joe’s approach allowed Malice to open up, showcasing his role as the elder brother. Though their age difference is only about four years, Malice’s demeanour exudes wisdom and leadership, particularly when discussing family values and principles. In contrast, Pusha T often focuses on industry dynamics. When Malice speaks, his passion and perspective shine through, revealing a different energy and depth that adds layers to their story.
The most interesting aspect of the album, especially with “Bird Don’t Sing”, is Pharrell's ability to stand out through his production. “POV” you get P-Saturn vocals paired with a stand-out Tyler the Creator verse. You can sense a strong working relationship between him and Clipse compared to others. (Side note: the drums in "The Birds Don't Sing" have a very-eery Kanye West vibe, in my opinion). Overall, the project LET GOD SORT EM OUT has its gems, and I would rate it a 7.5 out of 10.